Author Archive: Retro

Soon after his release from an unjust imprisonment, a man is again implemented in a crime, this time the murder of his wife’s lover. He and his daughter escape to a South Pacific isle where they must try to start life anew. Produced by D.W. Griffith. Dir. D.W. Griffith.

An Irish girl comes to America disguised as a boy to claim a fortune left to her brother who has died.

Very rare crime drama as three gangsters pull off a major heist and hide out in a mountain cabin where paranoia and distrust take over.

This lively outing chronicles the adventures of a daring young buck who defies his father, who grounded the lad for getting bad grades, and swipes his neighbor’s car so he can take his girl to the dance. Afterward, he and his buddies begin playing “chicken” and the lad destroys his neighbor’s rig. He then takes it to a body shop, unknowing that it is really run by crooks who use the cars for robberies. The innocent youth and his gal end up working as getaway drivers while the crooks rob his father’s company. The crooks shoot his father during the heist and then threaten to kill him unless he drives. They force him to go the speed limit so as not to attract undue attention. The ever-defiant youth does just the opposite and peels off towards the police department where all ends happily.

Quasi-documentary of a poor Soviet woman who convinces her village to form a cooperative. Directed by Sergei Eisenstein, his last silent film. English titles. Dir. Sergei Eisenstein.

The story of an orphan boy who, due to the cruelty of others, is drawn into a life of sin on the streets prior to the redemption of a caring foster family.

A feature about Native Americans with an all-Native American cast — this was quite a concept in the silent era, when Caucasian actors played everything from African-Americans to Asians (and an often hired ethnic star, the Japanese Sessue Hayakawa, played everything from Latins to Indians). None of the actors are credited, but director John E. Maple (a Caucasian) is, as is the writer, W.E. Wing. The story is the kind of melodramatic fare that critics of the day referred to as “hokum,” and about the only really interesting aspect of this romance is the cast. After purifying himself in a ceremony, Big Elk asks pretty Che-wee-na to be his bride. She accepts, but White Wolf, the son of the chief of a rival tribe, is determined to have the girl at any cost. Big Elk and White Wolf fight it out for Che-wee-na, and Big Elk wins. White Wolf gets revenge by kidnapping one of [...]

Part two detailing Dr. Mabuse’s descent into complete madness. English titles. Dir. Fritz Lang.