Author Archive: Retro

What truly makes a film 'iconic'? What makes us come back to films that are 50, 60, or even 100 years old? A truly iconic film is one that leaves a lasting impact on the culture after its release. Oftentimes these films are not recognized until years (or even decades) after their initial release. The following are the most iconic films in the public domain.

Night of the Living Dead

In 1968, George A. Romero made a big splash in the horror movie scene with his independently produced Zombie feature Night of the Living Dead. The film follows seven characters trapped within a farmhouse in Pennsylvania, unable to escape because of the Living Dead (Despite its significance in zombie movie canon, the word “Zombie” is never used in the film).

Produced on a budget of slightly over 100,000 dollars, Romero's first feature film kick-started the Zombie subgenre of horror which continues to this day. It is notable not only for breaking taboos in onscreen gore and violence, but being [...]

Certain stories simply demand to be told again and again and again. Though cinema has hardly moved into its second century, there are certain stories, characters, concepts, and ideas that we just can’t leave behind. It’s why so many movies are remade and rebooted.

Furthermore, a selection of these original properties have entered into the public domain. In this list, we’ll examine a selection of the most famous public domain movies and the remakes they inspired.

Phantom of the Opera (1925)

We’ll start with the Phantom of the Opera, a classic example of a story told and retold over the decades. From the original book by Gaston Leroux, audiences have been treated to dozens of films, television series, children’s books, and – perhaps most [...]

In theme and style, film noir is a highly distinctive genre that enjoyed its heyday during the 1940s and 1950s. “Noir”, of course, translates from French into English as “dark”, and these philosophical films explore the darkness of the human condition in the guise of crime dramas. The genre conventions of what are typically B-picture parables encompass voice-over narration, flashbacks, amnesia and nitty-gritty cinematography, often of bleak urban landscapes commonly shot at night in black and white. Unconventional camerawork frequently includes shots with skewered angles and chiaroscuro, accentuating a psychologically fraught state of mind. Noir’s expressionistic form conveys a shadowy world that’s out of kilter, inhabited by hardboiled dicks and dames, guys on the lam and femme fatales, obsessed with sex, greed, power and other base, all-too-human desires. These action-packed motion pictures of persecution, pursuit, paranoia and passion are modern morali [...]